All editions are carefully curated by brothers Sebastian and Daniel Selke, also known as award-winning cello-piano duo Brueder Selke, founders of Q3Ambientfest. Presented by hausZwei/Libertalia e.V.
Space is limited.
5-15€ suggested donation.
:::::: Oskar Tena ::::::
Mexican composer, pianist musician and mechatronic engineer. He grew up in a family of 5. At 4 months of age he suffers a traumatic health event, which leads his parents to surround him with an atmosphere of classical music. In the following years he shows interest in the piano, beginning his first studies at the age of 9 years. Following his musical taste, he obtained achievements and recognitions for his compositions. Currently he creates original musical arrangements with organic and synthetized sounds.
:::::: Brueder Selke ::::::
The brothers Sebastian and Daniel Selke or Brueder Selke, mostly known as CEEYS are East German composers and poly-instrumentalist recording artists and performers based in Potsdam, nearby Berlin.
While mainly connected to the fields of contemporary classical and ambient music, their works balance these genres.
BS perform an idiosyncratic style that is characterised by intimate and playful improvisations and a rather reduced approach to contemporary composition.
By exploiting their knowledge of songwriting, textures and repetitive patterns, they create an experimental but accessible minimalism between the avant-garde and pop that
incorporates elements of jazz, ambient and classical chamber music.
Indebted to their childhood environments, their music is as much a product of their childhood landscapes, as it is the modern world in which they live.
Their award-winning work is provoked by their urge to explore recollections of their youth, both before and after the fall of the Communist regime, and
to apply those lessons and influences to contemporary music.
In October 2020 they released “Hausmusik” which saw John Lewis describe it as “...metronomic, Nyman-ish miniatures that sound as if they’ve been plotted on graph paper;
tracks like Reunion see them jabber rhythmically, with Sebastian playing pizzicato; elsewhere they explore texture – creaking strings, bashed wood, triple stopping –
over minimal one-chord drones with a horror-movie intensity.“ The Guardian writes.
New music and projects are set for release in 2021.